Nikon | RED extends Z CINEMA line with ZR full frame camera

Nikon | RED extends the Z CINEMA line with the addition of the ZR full-frame cinema camera. Built for filmmakers and creators on the move, the ZR is the lightest all-in-one cinema camera around and punches well above its weight in cinematic power.

From carefully staged scenes to run-and-gun video footage, the ZR is the perfect tool for storytellers who want to elevate their video output. Up to 6K/60p in-camera recording and a full suite of professional video recording formats provide the flexibility to deliver for practically any platform or workflow. Standout features include an exclusive R3D NE codec, which brings renowned RED colour science to Nikon. Plus, the ZR boasts a Dual Base ISO of 800/6400 which maintains the sensor’s 15+ stop dynamic range for maximum detail in highlights and shadows.

For agile set-ups, the ZR’s 4-inch Vari-angle monitor is a huge asset. The large, bright display functions as an expansive control hub and it covers the DCI-P3 colour gamut for accurate on-set colour monitoring. Since the picture is only half the story, the ZR also makes its mark as the first camera in the world1 to offer internal 32-bit float audio recording. The dynamic range of 32-bit audio is so vast that levels won’t need to be monitored constantly during filming: sound can be captured freely, and the levels adjusted in post without clipping.

Other professional ZR features include full weather sealing and vast lens choice thanks to compatibility with Nikon and third-party lenses. In addition, the ZR offers extensive system expandability, and Nikon’s new ME-D10 digital shotgun mic covers rich directional audio capture in a wide range of recording environments.

Zurab Kiknadze, Product Manager, Nikon Europe says: “Today, we’re raising the curtain on the first truly cinematic Nikon camera. Our collaboration with RED is bearing fruit, and the cinematic future looks bright!”

Summary of key features: ZR cinema camera

Up to 6K/60p in-camera recording: flexible frame rates and resolutions. From cinematic 24p to 240p extreme slow motion. From richly detailed 6K to crisp, compact 1080p.

Semi-stacked full-frame sensor: wide dynamic range and fast read-out speeds that effectively minimise rolling shutter distortion.

Renowned RED colour science: an exclusive R3D NE codec from RED allows immense freedom in post and enables ZR footage to be matched with video shot on a RED camera system.

Large, bright 4-inch Vari-angle touchscreen monitor: covers the DCI-P3 colour gamut and boasts a generous 16:10 display format. Functions are controlled with soft, quiet screen taps, and up to 10 3D LUTs can be loaded into the camera for viewing on the monitor while filming.

Dual Base ISO of 800/6400: when shooting in Log3G10. The sensor’s wide 15+ stop dynamic range is maintained at both base ISOs.

In-camera 32-bit float audio recording: capture sound freely using the camera’s internal mics, or a compatible external mic, and adjust the levels in post without clipping.

Cinematic video modes and custom RED Picture Controls: 4 creative video modes and 9 custom RED presets for content with a cinematic look and feel straight out of the camera.

Fast, intelligent AF: quick, accurate, reliable, and customisable. Intelligent subject detection and tracking, custom wide-area AF, and selectable AF speeds for smooth, repeatable focus transitions.

5-axis in-body image stabilisation: Nikon’s sensor-shift Vibration Reduction keeps footage steady.

Focus-breathing compensation: for smoother, more natural-looking transitions.

Long recording times: an innovative body design efficiently and quietly dissipates heat.

Light, tough: the ZR weighs approx. 540 g (body only) and is fully weather sealed.

Z mount for flexibility in lens choice: attach any Nikkor Z lens, any Nikon F-mount lens, and a wide range of third-party lenses.

Expandable: Nikon and partner brand accessories make it possible to put the ZR at the heart of an extensive video rig.

New ME-D10 digital shotgun mic: compatible with the 32-bit float audio format and boasts a 77 dB signal-to-noise ratio for distortion-free sound.

RED Digital Cinema, Inc. releases the V-RAPTOR XE

RED Digital Cinema, Inc., a subsidiary of Nikon Corporation, is pleased to announce the release2 of the new V-RAPTOR XE digital cinema camera, which was released on 9th September, 2025. Joining the acclaimed Z CINEMA camera lineup, this streamlined version of the revolutionary V-RAPTOR [X], curates the essential tools for cinematic storytelling. Designed for independent creators who demand uncompromising image quality, the V-RAPTOR XE delivers large format, cinema-grade features at a more accessible price point.

The new camera retains RED’s industry-leading 8K large format (VV) global shutter sensor found in the V-RAPTOR [X] series, ensuring cinematic image fidelity, dynamic range, and low-light performance that filmmakers around the world trust.  Nikon and RED will meet a wide range of needs in film production with an extensive lineup of cinema-oriented products under the Z CINEMA series.

Viltrox Launches Full-Frame Ultra-Large-Aperture Autofocus Prime Lens: AF 35mm F1.2 LAB FE

Viltrox is has announced the launch of a new full-frame ultra-large-aperture autofocus prime lens, the Viltrox AF 35mm F1.2 LAB FE. Viltrox’s cutting-edge optical technology raises resolution and bokeh performance of the F1.2 aperture to new heights. The professional lens control system and custom LCD display, offer an efficient personalized shooting experience. Whether for portraits, street photography, or nightscapes, this lens redefines the 35mm prime lens standard with cutting-edge technology and the Viltrox commitment to delivering premium quality at a fraction of the normal cost.

Revolutionary Quad HyperVCM motor: Speed meets precision

At the heart of the AF 35mm F1.2 LAB FE is Viltrox’s patented Quad HyperVCM autofocus system, which accelerates focus speed by 150% compared to traditional STM motors. By integrating this dual floating focus system, the lens dynamically adjusts lens groups to compensate for spherical aberration and field curvature, enabling quiet, 100ms near-to-far focus transitions — critical for cinematic workflows. At its 0.34m (13.4 inches) minimum focus distance, the lens captures macro-level details with edge-to-edge sharpness, making it a versatile tool for portraits and intricate close-ups.

Optical mastery: Engineering excellence for exceptional imaging

The lens’s fifteen element optical system combines five extra-low dispersion (ED) segments, three high-refractive-index elements, and two ultra-large precision aspherical (UA) lenses, to deliver unprecedented clarity. This design suppresses chromatic aberration and onion-ring bokeh artifacts, ensuring smooth bokeh even at F1.2. The Nano-Hydrophobic Multi-Coating minimizes flare and ghosting in challenging lighting, while the ultra-precision aperture blade drive maintains circular bokeh shapes, with micron-level accuracy, boosting the lens’s artistic versatility for both photography and videography.

Ultra large: F1.2 wide aperture

The F1.2 aperture excels in creating exceptional bokeh, while significantly enhancing light transmission. This gives users sharp images, even in challenging low-light conditions. There is no noticeable optical vignetting at the edges. Whether for portrait photography or nightscapes, the lens easily renders perfect separation between the subject and background, presenting a visually striking composition.

User-centric design: Customization meets control

The AF 35mm F1.2 LAB prioritizes intuitive handling with a dual customizable Fn button array and a multi-functional control ring for seamless aperture adjustments. Its dedicated focus ring allows users to switch between stepped and stepless aperture control, maximizing creative flexibility. Paired with the Viltrox Lens App, photographers can set button functions, LCD startup animations, and monitor real-time parameters, customizing the shooting experience to suit individual workflows. The lens also features a 0.96-inch LCD display for quick access to critical settings, enhancing user convenience in diverse environments.

A new benchmark: Affordable high-end performance

The AF 35mm F1.2 LAB FE is a cheerleader for Viltrox’s mission to democratize professional-grade optics. Weighing under 1kg, and built with aerospace-grade magnesium alloy, this lens withstands extreme temperatures (-10 to +40°C) while delivering cinema-grade video performance—minimizing focus breathing and ensuring stable framing during dynamic shoots.

More details and how to buy

For more information, please visit: https://geni.us/35LAB_PR

Amazon Store: 

The US site: https://www.amazon.com/promocode/A1E3IF7KEZO9HV

The European site: https://www.amazon.de/dp/B0F23NB77C

 

MSRP: $999 / €1099 / £959

Other Viltrox news 

Viltrox Announces New AF 50mm F2.0 Air FE/Z Lens

Viltrox is pleased to announce an exciting new full-frame lens in the Viltrox Air series, the Viltrox AF 50mm F2.0 Air FE/Z, with compact, lightweight design and exceptional image quality. The efficient and precise autofocus system of this lens captures stunning moments, making photography enjoyable for everyone. It offers full-frame coverage and is compatible with a wide range of camera models. The compact design enhances ease of use, allowing for spontaneous shots. The F2.0 large aperture achieves beautiful blurry background to emphasize the subject, and also helps capture sharp images in low light.

The classic, yet versatile 50mm angle of view renders natural, lifelike portraits, street photos, and landscapes. With its wide range of capabilities, this lens is indispensable for both beginners and professional photographers.

Effective, reliable autofocus

The silent Viltrox STM motor provides precise, fast autofocus. Even for beginners, photography becomes a breeze. There’s no need to deal with the complexities of manual focusing: autofocus efficiently and accurately locks onto subjects. Users can see a memorable scene, and capture it almost instantly. Eye and face detection can provide further assistance, depending on camera model capabilities.

Lightweight lens, but exceptional images

Building on the Air series’ signature lightweight design, this lens delivers exceptional image quality without compromise. Advanced optics, including 3 ED and 4 high-refractive-index lenses, are fitted compactly into a palm-sized body, ensuring exceptional sharpness edge-to-edge. HD nano multilayer coating further enhances clarity. This design minimizes chromatic aberration, delivering clean, sharp, and clear imaging across the entire frame.

The lens weighs only 205g-220g, so it’s easy to carry – even fitting in a pocket – and always ready to use, allowing users to capture fleeting moments in an instant. The light weight and compact size also ensure steadier handheld shooting.

Not just nifty, the ultimate fifty

The standard 50mm angle of view renders natural, lifelike images, performing well in portraits, street photography, landscapes, and capturing everyday moments. This all-round lens is so easy to carry and to use that it is indispensable for both beginners and professional photographers. It is compatible with full-frame mirrorless cameras, thus working with a wide range of mirrorless camera models to suit diverse user needs.

More details and how to buy

For more information, please visit: https://geni.us/50AirPR

Amazon Store: https://www.amazon.com/dp/B0F21NSR93

Other Viltrox news

NIKON RELEASES THE NIKKOR Z 28-135MM F/4 PZ VIDEO LENS

Nikon releases the first full-frame Z lens specifically designed for video. Built to support solo video shooters and small crews, the NIKKOR Z 28-135mm f/4 PZ lens resolves high-definition 8k video footage straight from the camera, and it’s light enough to shoot handheld. Engineered to be exceptional, it’s a game changer for video makers using full-frame Nikon Z cameras like the Z9 and the Z8.

With servo zoom control and a gimbal/handheld friendly weight of just 1210 g (including tripod collar) this is a compact, well-balanced, and dependable go-to video lens for videographers and film makers who want to work with minimal kit. The video-specific optical design resolves high-definition 8K video footage that allows plenty of flexibility to crop in post and output in 4K. Nikon’s high-performance glass and optical coatings ensure users can achieve remarkably clear footage at any distance—even if shooting under strong sunlight or studio lighting.

A yellow ring signifies this power zoom is a Z mount video lens and it is compatible with a wide range of professional video accessories, including matte boxes and follow focus systems. Key functions for video shooters include ease-in/ease-out (which negates the need for an external motorised zoom unit), and there are 11 different levels of zoom speed that can be assigned to the zoom lever on the lens. Position record and recall lets users re-frame shots between takes, linear manual focusing allows for accurate, repeatable results, and the direction of the focus and zoom rings can be reversed. The lens is also sealed against dust and moisture, and it can be controlled remotely too.

Dirk Jasper, Product Manager, Nikon Europe says: We’re committed to making the Z system a go-to solution for content creators of all levels, and Nikon’s first pro video lens for Z mount cameras is an exciting step forward. You can rely on this video lens to deliver stunning results, which makes it a valuable tool in situations where time, budget, or circumstance mean reshoots aren’t an option.”

Summary of key features: NIKKOR Z 28-135mm f/4 PZ

Dedicated Z mount video lens: supports high-definition 8K footage that allows plenty of flexibility to crop in post and output in 4K. Yellow ring around the lens mount indicates that this is a video lens.

Smooth, balanced power zoom: internal motor smoothly manages the 28-135mm focal-length range and ensures a stable centre of gravity.

Video-specific optical design: minimises distortion at any shooting distance. Meso Amorphous Coat counters ghosting and flare, and focus breathing is suppressed.

Dynamic close ups: minimum focus distance of 0.34 m from 28mm to 50mm, and 0.57 m at 135mm.

Ease-in/ease-out: for natural tapering of zoom speed, no external zoom unit necessary.

Linear manual focusing: for accurate, repeatable focus adjustments.

Focus ring with 0.8 m gear pitch: compatible with standard follow focus units. The lens is also shaped so it’s easy to attach a matte box.

Position record and recall: available when shooting remotely or in ‘normal’ mode.

11 zoom speeds: can be assigned to the zoom lever or the camera’s Fn buttons.

Customisable zoom ring: angle and direction of rotation can be adjusted via the camera menu.

Smooth handling: zoom lever for precise fingertip control and L-fn buttons on side and top of lens.

Hi-Res Zoom: extends the zoom range by 2x when shooting in 4K, resolution and depth of field are maintained. Synchro mode combines the operation of power zoom and Hi-Res Zoom.

Fast, quiet autofocus: driven by Nikon’s (STM) stepping motor.

Remote zooming: via a PC with NX Tether installed, or a smart device running SnapBridge or NX Field.

Lightweight: handheld, gimbal, and tripod-friendly weight of just 1210 g (including tripod collar).

Location ready: high-performance dust- and drip-resistance sealing. Nikon’s fluorine coat protects the front element and keeps it easy to clean.

Rectangular lens hood (included): with a filter window for adjusting 95 mm filters while the hood is attached.

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